This gate is opened by a wolf's howl

Vocals confessions begin the folklore dance of the Schrei gen Norden song, appealing to northern fairy tales and echoes of the musical ideas of the Steinalt - Torweg album, beginning with a bass guitar solo, the Quelle composition gradually, slowly and thoughtfully rolls out the musical canvas of the main motif, combining the melodic charm of musical searches with vocal inspiration in a single musical lace.
Rhythmically, densely, confidently and assertively, the Gjallars Ruf march breaks through its musical path, sometimes bringing vocal phrases to the forefront of the musical image, far combining drive, power, musical charm and vocals charm in the ressive unity of the mid-tempo pressure of the Schwert der Ahnen composition.
The music will roll in waves of experiences, which are then embraced by the vocals in the unity of valiant melodies and the Met in den Adern battle march, eclipsing the vocals to the fore, then confidently, powerfully, assertively and slowly advancing the path of the Wolfskönigin musical march.
Powerfully, rhythmically, assertively and pushing vocals phrases to the foreground, the Mannwolf vocals story confidently paves its way, preparing for the construction of the enchanting unity of music and vocals in the procession of the Ketten des Kerkers bard fairy tale, bringing vocals confessions to the foreground of the Wolfskönigin - Der Untergang final composition of the album, then whirling a whirlwind of bright drive around vocals compositions.