Muffled distant noise and intriguing keyboard notes create an atmosphere of the Solstice's Eve ritual, ending with horses neighing and acting as an introduction to the Gallower - Behold The Realm Of Darkness album, continuing the headlong pursuit of musical zeal and vocal impatience of the Damned Cavalry song, somewhat focusing the variations of drive in the rhythmic waves of musical pressure of the King Of The Ashes composition, crowning these waves with vocal phrases in further artistic unity.
Viscous motives of the guitar solo weave the musical fabric of the Gutter Rats main motive, which then persistently and confidently rolls out for the procession of the vocals story, preparing for the whirlwind of accelerated drive in the furious blizzard of the Lowborn Rebel Strikes Back composition, entwining the vocal phrases with storm streams. The guitar solo of the introduction carefully and confidently prepares the rhythmic and stern gait of the Phantasms Of Coven battle march, emphasizing confident vocal phrases with appropriate musical support.
The drum roll and bass guitar passages continue the rhythmic pace in the introduction, then the vocals call for rapid acceleration in the headlong pursuit of the sound of the Tower Of Doom song, driven by the impatience of the vocals appeals, enveloping the vocal story of the Necromancer dark musical fairy tale in the rapid whirlwinds of twilight musical mysteries and echoes of dark enchantments. Once again, the solo bass guitar begins the intro of the Malevolence Over The Land track, then unites in a joint musical dance with the guitar riffs, creating a unified and exciting support for the vocals story.
Guitar riffs combine in a brooding dance, weaving a twilight tapestry of a rhythmic intro, accelerating the musical tempo with the introduction of an impatient and nervous vocal line by the Funeral In Vain track, combined with musical variations in a single effort to create a hazy atmosphere, an ongoing headlong pursuit of the Lustful Cardinal musical thriller, combining music and vocals in one a whirlwind of a furious storm, foreshadowing a similar stylistic unity in the Holy Light final composition of the album.