The car sometimes symbolizes pleasant memories

The symphonic intro of the There'd Better Be a Mirrorball mesmerizing suite anticipates the entry of unhurried vocals reflections, opening the musical gates for the sound of the Arctic Monkeys - The Car album, continuing with the I Ain't Quite Where I Think I Am rhythmic march, crowned with vocals inspiration.
The ritual atmosphere of twilight mystery creates the backdrop for the vocal narrative of the Sculptures of Anything Goes musical tale. The vocal part is brought to the forefront of the musical image of the Jet Skis on the Moat composition, combining the notes of a lounge and soft jazz, continuing this stylistic unity in the sound of the Body Paint ballad, complementing the vocal narrative with artistic keyboards variations, weaving from this combination a lace of romantic atmosphere.
The enchanting chime of musical notes weaves the mesmerizing musical lace of the sound of The Car title track, crowning this artistic grandeur with gentle pensiveness of vocal phrases. In combination of music with vocals, stylistic shades of chanson are captured, which continue to manifest themselves in the unhurried sound and vocals unhurriedness of the Big Ideas romantic ballad.
The music rolls with sparkling waves, crowned with the vocal lyrics of the Hello You song, followed by a gentle chime of guitar strings, intertwined with the vocals phrases of the Mr Schwartz acoustic bard tale, anticipating the end of the album with the pensive sound of the Perfect Sense solemn anthem.