Signed by the unholy desperation

The Sign Of Doom symphonic introduction is preceded by long, sad reflections of a clean vocals, long and carefully weaving the first threads into the musical lace of the Dwell in Doom - Songs From The Deadland album.
Then the demonic growling vocals bring echoes of dark spells and evil thoughts, again and again emphasizing The Witch In Me song's name in vocals phrases. The saddened reflections of the main clean vocals complemented by background vocal support precede the argument with the fiercer vocals in the chorus of the They Can Kill Your Body But Not Your Soul musical story.
Rhythmically, persistently and persistently driving a rhythmic march into the beginning of the sound of the Mammon composition, the vocal part begins with a furious growl, then dissipating twilight with inspired phrases of pure vocals wrapped in the covers of dreamy togas. The sound of The Prophet majestic march combines music and vocals, combining in the vocal part shades of pure vocals and growling, supporting vocals changes with appropriate musical transformations.
The encouraging introduction of the Red Winter composition continues with vocal reflections, complemented by enchanting keyboard ascensions, developing into the inspired symphonic sound of the long and atmospheric Water To Wine saga, diversifying the vocal part and enveloping this vocals diversity with twilight covers of a musical fairy tale. The Resurrection final composition of the album combines music and vocals in a single twilight of sound.