One, two and the next we will count

After a brief preparation in the introduction, the I song begins the musical procession of the Crucifixion Bell - Mirages in Izar album in a bright combination of drive and vocal emotions, with the introduction of vocals, complementing the music with dancing notes.
Alternating vocals phrases with musical passages in the whirlwinds of musical essence, the II composition complements this combination with echoes of medieval motifs in instrumental bridges and choruses.
Rolling in stubborn musical waves, the III song completes them with vocals phrases, then combining harsh vocal phrases with background singing.
The twilight musical atmosphere envelops with a vague haze, through which the blade of a guitar solo rushes rapidly, revealing the vaults of scrolls of ancient legends and fairy tales, from where the storyteller's vocals announce, entwined with sparkling covers of guitar passages, intertwining in the enchanting unity of the artistic sound of the IV composition.
After a mysterious introduction, intriguing by the further development of the musical essence of the V epic saga, music and vocals unite in a joint musical campaign, raising the banners of valor and greatness above them and complementing them with vocals confidence.
Long and carefully preparing the musical essence in the introduction, the VI composition completes the album with a peaceful atmospheric mystery.